Sometimes
the clay is cooperative, a partner in inspiration. Sometimes its
contrary, even defiant. Working with it is always challenging and always
rewarding. Even though I may approach the collaboration with a specific
goal in mind, the clay often has its own agenda.
While it prefers to relax in elegant, organic
shapes I challenge it to take the shape of something it doesnt
want to be. Maybe a rigid, mechanical form that might be the result
of a tinsmiths efforts. Or, possibly the gravity-shaped line of
a hanging textile.
When the clay and I have finally reached
agreement and were both content with the result, I find myself
negotiating with the glaze, often a late-arriving and undecided interloper.
We often stare at each other for long thoughtful periods while the bisqued
clay looks on. I choose the glaze and the glaze chooses the final outcome
while in the kiln.
The result is, without a doubt, the result of a three-way partnership
between the clay, the glaze, and myself.